Students gathered around a large table during a design critique session, gesturing at printed posters
A student laughing while holding up a hand-printed zine at a design workshop
Designer pinning type specimens and color swatches to a large corkboard wall
Instructor leaning over a screen pointing at kerning pairs while a student watches

Design IsBetter WithPeopleAround You

A warehouse studio for designers who work better when someone's watching over their shoulder. Evenings. Weekends. Intensive.

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01 — Students

Eight weeks. Real work. Real people.

Not portfolios built for approval. Work made through argument, revision, and the kind of feedback that actually stings a little.

Bold typographic brand identity poster in black and neon pink created by student Danielle Osei during week 8 of the Evening program
Evening

Brand Identity — Week 8

Danielle Osei

Career Changer — Former Paralegal

Brooklyn, NY

I was 34, had never touched Illustrator, and thought "kerning" was a brand of corn. I signed up for the Evening program on a Tuesday and made my first logo system by week three.

"The critique didn't destroy me. It made the work better. That's the thing no tutorial ever gives you."

A series of three editorial posters with experimental typography and layered risograph-style color by student Marco Villarreal
Weekend

Editorial Poster Series — Week 8

Marco Villarreal

Self-Taught · 6 Years Freelance

Austin, TX

I'd been freelancing for six years off tutorials and YouTube. My work looked fine. It never looked like mine. Eight weeks at Glyph and I finally have a point of view.

"I learned more in the first weekend critique than in three years of watching videos."

A hand-bound type specimen book with custom letterforms and printed on cream stock, created by student Priya Nair during the Intensive
Intensive

Type Specimen Book — Week 8

Priya Nair

In-House Designer · 4 Years Solo

Chicago, IL

Four years designing alone in a fintech company. Good briefs, zero feedback. I forgot what it felt like to be pushed. The Intensive reminded me that design is an argument, not a deliverable.

"Walking back into my office after Glyph, everything looked different. I looked at my own work differently."

Save Your Seat →

Next cohort starts March 9, 2026. 14 seats remaining.

02 — The Critique

The room where the work gets better.

Every Tuesday and Thursday evening, work goes up on the wall. What comes back isn't praise — it's the kind of specific, human feedback that changes how you see.

A lively design critique session with eight students gathered around pinned poster work on a warehouse wall, gesturing and discussing

Weekly critiques per cohort

12

Max students per session

94%

Report measurably better work

8 wks

From first sketch to portfolio

03 — Instructors

Caught teaching.

Not headshots. Not bios. The people who will lean over your screen and ask the question that breaks the work open.

Instructor Jade Okonkwo drawing letterform variations on a large whiteboard with chalk, mid-explanation to a small group

Drawing letterform variations on a whiteboard, chalk dust on her sleeve

Typography · Identity

Jade Okonkwo

Lead Instructor — Typography & Identity

Formerly at Pentagram NY. Has been running type workshops out of her apartment in Bed-Stuy since 2019. Believes kerning is a moral stance.

Instructor Tomás Reyes holding a loupe over a freshly printed proof with a focused expression, surrounded by printed sheets

Holding a loupe over a freshly printed proof, frowning slightly

Print · Editorial

Tomás Reyes

Instructor — Print & Editorial

Art director, zine publisher, former in-house at The New Yorker. Insists on printing everything. His desk has never been clean.

Instructor Simone Hartley pointing at a brand grid displayed on a large monitor during a one-on-one student review

Pointing at a student's brand grid on screen, asking "why this choice?"

Branding · Systems

Simone Hartley

Instructor — Branding & Systems

Runs a studio in Chicago. Teaches because she hates watching good designers stay quiet in rooms. Brand systems are her love language.

04 — Enroll

There's a chair pulled out for you.

Three programs. One table. The people are already here — the marker swatches, the coffee rings, the argument about whether Helvetica is boring.

Evening Program

Tue & Thu, 6–9pm · 8 weeks

4 seats left

Weekend Intensive

Sat & Sun, 10am–5pm · 4 weekends

6 seats left

Intensive

Mon–Fri, 10am–6pm · 4 weeks

3 seats left

Save Your Seat

No commitment yet. We'll follow up with program details and pricing.

Not ready to commit?

Download the full 8-week syllabus — what you'll make, who you'll work with, and what the walls look like.